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New Year's
Resolutions
for New Media Producers
by F.R. "Fritz" Nordengren
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It's the time of year when we all
lie to ourselves:
Lose (random
integer here) pounds
Run a mile
in less time than it takes to process a roll of C41
Bench press
the ISO rating of my favorite film
Visit a
homeless shelter, no, wait÷. Volunteer at, no, wait....
Build
a homeless shelter
Get my columns
to my editor on time
But, kidding aside, there is something
about the new year that brings the "potential" for change to our
lives. And if you are ready for some change, here is my list of
suggested resolutions you can add to your list:
1) Enough is enough. I will stop buying
software upgrades just because they are released.
This isn't meant as a slap
to the industry. I believe in worthwhile upgrades. But, I've fallen
victim to automatically upgrading software because it was released,
not because it works in my projects. Premiere 5.0 is one example.
A great product, a great company. I saw it at NAB and upgraded.
While I edit primarily on AVID, Premiere does some things easier
than other tools I have on my shelf--like make QuickTime movies
and easy export to Real Video. That was April of '98. Now version
5.1 is released and they still don't support the Truevision DTX
video board.(soon they say, soon). My point is, just because
it's released doesn't mean it works for me.
2) I will help someone who is not
on the Internet discover the world of online communication.
It's time to be a new media evangelist.
I'll give you an example. My sister is 50+ years old and retired
at age 50. She's traveled much of the world, and is an avid movie
buff. She used computers in her job. Of all the people I know,
she would really enjoy the online experience÷. But, my sister
is still off-line. She says she doesn't want anything to do with
computers now that she's retired. Maybe this is the year I send
her Web TV. (It's not a computer, its TV.)
2a) I will help someone who
is on the Internet rediscover the real world outside.
The real world is bigger than 640
x 480.
Ignoring all the pop psyche studies
about whether spending too much time on the Internet makes depressed
people more depressed, or brings people together ala "You've Got
Mail." It's time to get out of the chair and into the world more.
I chose a life as an independent producer to get away from tyrannical
bosses and ridiculous schedules.
My email has become one of the tyrannical
bosses. Hell, I even give some folks the email address of my digital
phone-I can be emailed when I'm in the car! (What was I thinkin'?)
3) As a producer, I'll make sure the
people working with me have the tools necessary to do their jobs.
This is the opposite of #1 above.
In my role as producer, I need to understand what tools are necessary
for doing the work in my shop. Look at the tools your competitors
(or associates) are using and make sure that yours are up to speed.
4) Just for kicks, I'll try to put
together a package using low cost consumer tools.
I think at times, we have so many
tools, effects and gizmos available that we forget how to tell
a story--simply. So try this some weekend: put together a project
using simple consumer tools. Shoot with a VHS C or 8mm camcorder.
Edit with an inexpensive edit package like Avid Cinema ($99).
Tell a story. Use good light. Listen to the nat sound audio. Edit
in camera as much as possible.
I have a Sharp Viewcam we use for
home movies. Frankly, I always have fun shooting with this camera.
It's a simple, 8mm format and the quality is not "broadcast quality,"
but it does produce a nice image for home movies. It's a camera
you can turn on and pass around the room.
5) I will give someone a "break" into
the business.
You remember what it felt like when
you got yours.
6) When I see someone's work I really
like, I will let them know.
I will send them an email (see #2
above)--or--I will send them a hand written note (see #2a above).
7) I will learn the difference between
editing and spell checking, and do both in my written work.
If your projects use a displayed word--we
can't limit our thinking to "printed" anymore--it's time to remember
the basics. We need to spell check (I'm guilty of this one) and
edit. That includes some basic things like lead writing and copyfitting.
Writing for the computer screen includes
editing so that the words are easy to read, that line breaks make
sense, and the display works well on little screens as well as
big screens. If you are doing Web stuff, the "standard" monitor
size is reduced to a display area of 600 x 300 pixels after you
account for the browser navigation buttons. Web TV is 544 x 378,
and a Palm Pilot is 160 x 120. If you are delivering text content
to folks on those platforms, editing for the screen is going to
be crucial. (We're blessed at The Digital Journalist with a good
editor. Self-editing is much harder.)
9) I will keep a "list" of projects
I want to do on my desk at all times.
This is my creative fuel. These are
the projects I would do if I had no obstacles. I think Robert
Schuller calls it--what would you do if you could not fail. I
have a list of 7 to 10 projects I keep in front of me, and every
so often I connect with someone who can help take one of them
to the next step.
Here are two from my list, anyone
interested?
"Seven Rivers - Seven Years" - Interactive
& video documentary of life along: The Nile, Ganges, Mekong,
Mississippi, Amazon, Chang (Yangtze), Volga
"So Now What do We Do? Ashes
to Ashes - Dust to Dust" - Interactive & video documentary
describing death and post death ceremony and practice.
9a) And while I'm at it, I'll
keep short proposals for pitches on my hard drive so I can send
one out at a moment's notice. It's amazing, with the ease of desktop
publishing, layout, and mail-merge (or search and replace) how
quick it can be to print out (or email) a custom proposal to the
sponsor, producer, or client. After all, isn't that what I bought
a computer for?
10) Work less, play more.
My office used to be across the street
from a cemetery. In all the time I walked through it, I never
saw a tombstone with the epitaph "I wish I spent more time
at the office."
There you have it. From my chair,
1999 looks like a great time to be a storyteller.
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