(Editor's note: One of the strangest requests I have ever received was from this company. After being in this journal for nearly 5 years, they have asked to have their name removed from our site. Go figure?)

March 24, 1998

Part one of two

 

Tick...Tick...Tick...Okay class...Today's lesson is entitled "101 Ways to photograph a welder..."

Some days, this is how I feel folks. Since leaving my career as a photojournalist, I have both received and given an education in digital imaging and photography- particularly in industrial photography. It's been, at times, boring work while at other times I've been astounded by what I've seen. I get up daily and look forward to going to work. I think that I'm pretty lucky to be in a job that I love, a lot of people can't say that.

(Image deleted by company request)

I use colored gels when shooting welders as an added degree of protection and to add some color to the scene.

(Image deleted by company request)

One of the more interesting parts of my work is meeting those who work in the "field"- getting to see them work helps me understand the entire company much better.

My employer, (Name deleted by company request) Construction, Inc. in Tuscaloosa, Alabama does heavy industrial construction. Our target industries are Pulp/Paper Mills, Automotive Plants, Petrochemical, Chemical Process Plants, Power Plants and basically any other kind of heavy construction. (Name deleted by company request) is also a fabricator- meaning, they make piping, pressure vessels, process modules and sheetmetal items. Our fabrication shop, at 125,000 square feet is one of the largest such facilities in the Southeastern United States. We are also renting equipment now, which is a fairly new program. (Name deleted by company request) does work literally around the world and many of our customers are  "Fortune 500" companies.

(Name deleted by company request) hired me a year and a half ago to improve their imaging process and to get some Public Relations type materials to their customers. They have, in my opinion, wisely decided to invest in technology such as 3-D animation and state-of-the-art CAD programs. All to enhance the vision that our customers have for their projects.

Still, it has been a learning experience for both me and my employer. I had to go to a paper mill in south Alabama a few months back to shoot some images of work that we had completed there. The Vice President/General Manager of (Name deleted by company request), (Name deleted by company request), introduced me to the field engineer by saying "This is Mark Lent- he doesn't know shit about construction, but he shoots a great picture...show him around..." Such is life in the construction industry. I am learning more every day though and they too are learning more about shooting a good picture and putting your best bart forward for the customer. I'm proud to say too that the imaging we have done has come a long way in that year and a half. When I started here, we didn't even have a computer that was capable of doing the things that I need a computer to do. We have slowly built up an arsenal of equipment and software that rivals that of even our biggest competitors. My vision is to have a program that has the highest level of excellence attainable. If you can dream it, I want to be able to show you a visual image of that dream- in any format you desire, be that DVD, Video tape, CD-ROM, Web pages, still photographs or a full-blown multimedia package- clear and simple.

(Image deleted by company request)

A paper machine at one of the Paper Mills that (Name deleted by company request) does work for. This particular one was installed by (Name deleted by company request) in world record time- (Name deleted by company request) has installed a paper machine faster than any other contractor.(Image deleted by company request)

One on the items about my job that I really like is the freedom that I have to design. This graphic was done in Photoshop and will be featured in the (Name deleted by company request) web site

(Image deleted by company request)

Sometimes, you see something and the color just screams at you- this was one of those moments.

(Image deleted by company request)

To do all of this imaging takes a great deal of know-how and an even larger amount of money. Still the benefits can be substantial for both customer and our company. In 3-D animations, you can literally walk through a building before it's even broke ground. This is important because it allows everyone to see what the structure will look like and more importantly will illustrate flaws in engineering designs. Problems can be anticipated and worked around before construction even starts. This, on a major project, can save hundreds of thousands of dollars. Plus the fact that assisting a customer in visualizing their dream is simply good salesmanship.

So, these are the basics to why I do what I do. My background in newspapers has been to my advantage simply because I know how things work in the graphic, printed world. I have the "vocabulary" to talk to a printer (while in college, I too worked as a pressman at a newspaper) and know what he's talking about and what the issues of completing my printed job are going to be for him. As a photographer/sometimes writer I know what a reporter looks for in a story and can assist them to this end while giving my company the best public image I can.

Mark Lent

March 24, 1998

earlier journal home later journal

 

 

 

 
Mark Lent
< mlent@dbtech.net >
former photojournalist
Tuscaloosa, AL
Other journals by Mark Lent
329 Is Photojournalism Dead? Mark Lent Yes, traditional photojournalism is quickly dying.
224 February 12, 1999 I was watching the Budweiser 25 lap shoot-out at Daytona last weekend and I sighed a little, knowing that this year, I won't be at any of the Talladega races as a photographer.
223 February 12, 1999 How to Shoot NASCAR
210 January 30, 1999 A real assignment from a real newspaper.
185 December 10, 1998 You see, this is what we as photojournalists will be doing in the not so distant future. We will work not only as photographers, but visual storytellers collecting information and then packaging it into presentable form for our viewers
143 September 5, 1998 Give 'em hell Jerry Pope
142 September 4, 1998 I got out of the newspaper business and had opened a studio. I started out shooting weddings, portraits and a bit of commercial work  in between. One thing that I learned while shooting all of this is that first, I'm really not much of a portrait photographer and next, I hate shooting weddings...
141 September 3, 1998 Let's Go Bar-B-Quein'
132 August 11, 1998 My first all-digital journal entry
125 July 30, 1998 I'll never forget the first time that I saw a photo on a computer screen
97 June 17, 1998 This journal entry is different from my others. No photos, no talk about the "shot that got away" nothing like that. In fact, I'm not even going to talk to you about anything that remotely resembles newspaper work
74 May 19, 1998 Sports photography...To me, it's always been the essence of photojournalism
72 May 11, 1998 ...every once in a while, you run across someone while covering a story that changes your whole life.
65 April 21, 1998 After working for newspapers in Alabama for 8 years, I've come to take tornado warnings very seriously
51 March 31, 1998 101 Ways to Photograph a Welder (part two)
44 March 24, 1998 101 Ways to Photograph a Welder
35 March 10, 1998 In theatre, what you don't see is just as important as what you do see...
25 February 22, 1998 Admittedly, there are many things that the press does that irritate, enrage and awe me.
18 February 17, 1998 I knew that it was ridiculous for me to have to take my wife  to a murder scene just to spend "quality time"
9 February, 1998 Life in a southern town
 
Contributor since 1998
 
   


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