(Editor's note: One of the strangest requests I have ever received was from this company. After being in this journal for nearly 5 years, they have asked to have their name removed from our site. Go figure?)

August 11, 1998

My employer, (Name deleted by company request) Construction, has been working on a project for Boeing Aerospace. Why does that matter to you? Easy. The rockets that Boeing will build (Called "Delta IV" rockets) are to enhance communication and internet services no matter where you are. In the near future, there'll be no dead spots for cell phones and your internet will be through a satellite dish- much the way that television is today.

One of the projects that (Name deleted by company request) is working on are these huge vats. These will be used to treat metals that will be incorporated into the design of the rockets. To give you an idea of the size, they are so large that they can't be shipped by air, rail or interstate. The only way to ship these giants is by barge. As we start the moving process for these, I'll write frequent journals to show how it's being done and what the logistics of shipping something that's the size of a fairly large 3-story office building. You can see a Real Video image of the site and current work going on there at http://www.theaustin.com .

During the actual construction, I've been asked to take several images due to slight design changes. We shoot the images and then send them to the engineering group at The Austin Company for examination by either e-mail or FTP. The level of convenience for the customer and (Name deleted by company request) is incredible. We are able to get immediate feedback if needed by showing images in near real-time. The customer is kept up to date and is constantly shown changes in a visual medium, which when it comes to engineering, is critical.


(Image deleted by company request))

Pipefitters create some of the internal piping for the vats.

(Image deleted by company request))

Two men inspect one of the huge vats that (Name deleted by company request) is building. Again, in my mind, the color wasn't quite a vibrant as it is in the image. I notice this especially in the red areas. I also noticed that while shooting this image in particular and another unpublished image that the viewer doesn't show the entire photographed image, which I 'm also not crazy about.

Part of the problem in doing this is the logistics of getting the images to the point where the can be sent to the customer. In the past, we have shot film and because I have no darkroom facilities here, we outsource the processing and printing of all images. So, this means that the film has to be dropped off and a second trip has to be made to pick the film up. After this, we scan the images and then load them to the FTP or attach them to e-mail. In all, a couple of hours as a minimum for this entire process to take shape. I'd asked to buy a digital camera a year or so ago to assist us in this type of work. A lot of the photography that I do is technical in nature- that is to say that I shoot a lot of parts for examination by our staff or the customer. I also shoot images of the entire structure part by part. The first reason for this type of imaging is that it works as a visual reference to the components and where they are located in the project. If we ever need to build another one like it- the pictures are a great asset in deciding how things will layout within the structure. The second reason is for insurance purposes and shows that the entire structure was assembled and in tact when it left our facilities here in Tuscaloosa. For me to do one of these shoots averages about $100 in film and processing- not to mention my time which is of considerable value ;-). So, a digital camera makes sense to use. The images are available immediately and the can be stored on another medium (preferably, a CD-ROM) for later use if needed. All of this without the use of film and no trips to the processing place either- works for me.

This past week, I'd had the day from hell. I was under the gun on several things and getting yelled at by someone for looking out for their back- not a great day and needless to say, by 5p.m. I was ready to leave. Just before I left, Ron Comeaux, our resident Cajun started asking me about digital cameras. I started explaining the pros and cons of the digital camera and what we could and couldn't use them for. Ron, you see, wanted to get the images to the Boeing and Austin Company folks more quickly then what we have been doing and had seen someone use a digital camera. So, I was instructed to research and purchase a "low end" digital camera for quick shots.

At first, I'd looked at the Sony models. I like the idea of using a floppy disk to record on (Hey camera makers! One of you should be smart enough to incorporate a ZIP disk into a camera...100MB of storage- I could shoot all day...Build it smart and the masses will beat a path to your door...). Two of our employees here at (Name deleted by company request) own different versions of the Sony camera. Shannon Lyles, who works in our Accounts Receivable department brought in her FD-7 model, which has a 10X zoom lens and several other nice features. Bill Barnes, who's the comptroller here, brought in his FD-5 model, which has a fixed focal length lens and is a lower-end version. First, I like the grip that these cameras' have. It's has the feel of a motor drive and the button falls onto your finger naturally. The other nice feature is again, using a floppy instead of the PCMCIA cards used by most cameras.

(Image deleted by company request))

An overall shot of part of the project. When shooting from a lift truck, the bar that's holding you up tends to get more unsteady the higher you go, so it's important that when I do this type of photography that I can either use a higher shutter speed or be able to brace the camera against myself or something more stable (The shutter speed is typically the solution). I can't do either with the Sony, which is what this shot was made with. It took several tries to get an acceptable image simply because of the movement in the truck- which is a simple, correctable problem with a film or high-end digital camera.

I was able to get 25 images onto one floppy, which to me is very acceptable. I also like the interface that the user has to look at a single or several images at one time. The LCD screen on the back of the camera is fairly clear and easy to view in the right light conditions, however, get it in sunlight and it's a different story. I mis-cropped several images in my testing simply because it was hard to see what I was shooting. To me, a simple shade (Similar to some of the old Speed and Crown Graphic cameras) would not only allow better vision but would protect the screen as well. The Sony models have a screen brightness setting to compensate for this but I found them lacking the brightness needed to really help you see.

These cameras also have a resolution of 640X480 (at screen resolution, which is 72 dpi), which is fine for a web site, but not for most publication work. The uncompressed file size is about 900k. Another feature that I really disliked (and the main reason that I didn't buy the cameras) is that I don't like having to hold a camera away from my face. I use my body to help steady the camera and this isn't possible with the Sony.

I made a trip down to the local Service Merchandise to look at the pricing on these two cameras and while I was there, saw the Olympus D600L. I asked the clerk to see the camera and immediately liked the feel. It has a grip that feels like a pro camera and has an SLR viewfinder in addition to an LCD screen. The Olympus also has several nice features and a variety of exposure settings (Which neither of the Sony models had...). The flash is also more stout and can use an auto exposure (Sony can not). The other nice features are that the camera can be hooked directly to my computer to download, it has a higher quality resolution of 1024X1280 pixels (Also at screen resolution) a faster lens and one of the features that I like is the ability to hook up a dye-sublimation printer directly to the camera without having to go through my computer. This way, I can print out an image without using up all of my resources on the computer. Olympus makes a printer that hooks directly up to the camera and can produce 3.5X5 inch prints, which are ideal for our customer's "hard copy" needs and cost about $300. The ribbon and paper for the dye-sub runs about $40 for the supplies to make 60 prints according to B&H Photo Supply in New York City.

(Image deleted by company request))

A welder cuts metal with a blow torch. I like this shot because of the mood within the light. In person, the light hitting his face wasn't quite as vibrant and I chalk this up to the digital cameras light gathering characteristics. This is by far my favorite shot of the day. Because of the need to hold the camera away from my body, I found that I was shooting things slightly different than I normally would. I also found that I don't have very steady hands and had several images with noticeable "shake" in them. The background was also darkened slightly in PhotoShop to add to the overall mood of the image.

I also found that the pricing on the two kinds of cameras was similar. With all of the extra features and options, the Olympus was only $75 more than the Sony- which to me makes it a no-brainer as to which one I should get. Gee, twice the quality and nice-nice features for only $75 more...

On the down side, the Olympus does use a PCMCIA card, but it's a 4MB card and will hold 45 shots per card, which should be acceptable for my use. If it isn't I can simply load the images onto my computer and walk outside to shoot more or simply buy another card.

In all, I was really pleased with what I found in the lower end digital cameras. But, I also understand that these cameras are "consumer grade" and this current crop of cameras won't ever reach the quality level of a Pro digital camera (costing $12,000 and more...) or good old film cameras. But for $875 you really can't beat the level of quality that these low end cameras have.

I bought the Olympus and am expecting it to be delivered tomorrow.

August 11, 1998

Mark Lent

earlier journal home later journal

 

 

 

 
Mark Lent
< mlent@dbtech.net >
former photojournalist
Tuscaloosa, AL
Other journals by Mark Lent
329 Is Photojournalism Dead? Mark Lent Yes, traditional photojournalism is quickly dying.
224 February 12, 1999 I was watching the Budweiser 25 lap shoot-out at Daytona last weekend and I sighed a little, knowing that this year, I won't be at any of the Talladega races as a photographer.
223 February 12, 1999 How to Shoot NASCAR
210 January 30, 1999 A real assignment from a real newspaper.
185 December 10, 1998 You see, this is what we as photojournalists will be doing in the not so distant future. We will work not only as photographers, but visual storytellers collecting information and then packaging it into presentable form for our viewers
143 September 5, 1998 Give 'em hell Jerry Pope
142 September 4, 1998 I got out of the newspaper business and had opened a studio. I started out shooting weddings, portraits and a bit of commercial work  in between. One thing that I learned while shooting all of this is that first, I'm really not much of a portrait photographer and next, I hate shooting weddings...
141 September 3, 1998 Let's Go Bar-B-Quein'
132 August 11, 1998 My first all-digital journal entry
125 July 30, 1998 I'll never forget the first time that I saw a photo on a computer screen
97 June 17, 1998 This journal entry is different from my others. No photos, no talk about the "shot that got away" nothing like that. In fact, I'm not even going to talk to you about anything that remotely resembles newspaper work
74 May 19, 1998 Sports photography...To me, it's always been the essence of photojournalism
72 May 11, 1998 ...every once in a while, you run across someone while covering a story that changes your whole life.
65 April 21, 1998 After working for newspapers in Alabama for 8 years, I've come to take tornado warnings very seriously
51 March 31, 1998 101 Ways to Photograph a Welder (part two)
44 March 24, 1998 101 Ways to Photograph a Welder
35 March 10, 1998 In theatre, what you don't see is just as important as what you do see...
25 February 22, 1998 Admittedly, there are many things that the press does that irritate, enrage and awe me.
18 February 17, 1998 I knew that it was ridiculous for me to have to take my wife  to a murder scene just to spend "quality time"
9 February, 1998 Life in a southern town
 
Contributor since 1998
 
   


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