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The heavy artillery has arrived in preparation for President Clinton's visit tomorrow, and the heads of State who will address the GA in the coming weeks. The Secret Service has swept the UN garage. They've brought in car-sniffing canines and helmeted SWAT teams. From my 9th floor office, in the Secretariat, I can see the roof of the UN library and General Assembly where SWAT teams are in place. They have binoculars and weapons. I think this will make a great picture, but I think better of taking out my telephoto lens, knowing full well, they've probably got their sights trained on every window within a 3 block radius. I don't want to risk getting arrested, or worse, a bullet in the head.

The intense security and Secret Service presence notwithstanding, my credentials allow me unrestricted access whereas the press must be escorted by someone from DPI. The access I have is pretty awesome.

However many of these photo ops are offered to the mainstream press as well and wire services like AP, Reuters, and AFP cover most of them. In spite of my unparalleled access, our pictures are largely the same.

Almost every press conference I cover for the UN, (usually after a statement made in the General Assembly)is followed by an article in The New York Times the following day. The Times rarely assigns photographers to cover these press conferences but the content is part of their daily international coverage of UN affairs during the General Assembly. My photos are distributed to the Missions and constitute part of UN internal coverage, mostly for the record.

When told of my UN job recently, a newspaper colleague remarked: ASo you won't be seeing your photos on page one (!) anymore with that 5 point photo creditY@ Well, that's partly true. The UN is not a photo agency but the photos will appear in internal publications and around the world in newspapers, magazines and other publications that write about the UN with a photo credit that reads: UN/DPI Photo by Susan B. Markisz. But the UN doesn't have a clipping service, so I'll probably never see them.

Today I photograph the arrival of the President of South Africa Thabo Mbeki and his wife Nanele with the SG and Mrs. Annan, as well as a meeting with the Prime Minister of France. Later on I photograph several press conferences in S226, the official press conference room. Thank goodness for TV lighting. There's no need for flash there.

The pace has picked up considerably since I started 10 days ago. The SG and GAP both have meetings throughout the day, there are treaty signings and there is General Assembly coverage as well. Before the day is over, I photograph 14 official meetings and/or press conferences. In spite of the seeming simplicity of the assignments, one of the biggest assets for this job is stamina. I used to answer my email when the rest of the world was asleep, but now fall into a deep slumber before the 11 o'clock news or I don't function well the next day.

 

Mr. Marc Forne Molne, Head of Government of the Prinicipality of Andorra
The President of South Africa spoke at a press conference in S-226, the official conference room at the United Nations
The President of the Republic of Colombia, Andres Pastrana Arango spoke of the concerted efforts he is making at unifying his country against militias that seem to control the countryside.
The Secretary General meets with the Prime Minister of the French Republic, Mr. Lionel Jospin, left, and other members of the French delegation, outside his office in the General Assembly.

 

The SG and Mrs. Nane Annan greet Thabo Mbeki, President of South Africa and Mrs. Zanele Mbeki in an official "flag shot." 0920 mbeki .

UN/DPI photos by Susan B. Markisz

Susan Markisz
< smarkisz@digitalstoryteller.com >
Contributing Photographer
The Riverdale Press, NY
Freelance for the New York Times
Other journals by Susan Markisz
334 November 10, 1999 I have a New Boss
328 Is Photojournalism Dead? Susan Markisz I am not a photojournalist here (at the U.N.)
322 September 20, 1999 The heavy artillery has arrived
321 September 21, 1999

My adrenaline was already running high when I was given today's schedule.

 

318 September 14, 1999 7:45 AM: I note as I arrive at St. Bartholomew's Church on East 51st Street for the Interfaith Prayer Service
317 September 13, 1999 Milton hands me two Nikon F4's and an assortment of lenses and assigns staff photographer Evan Schneider to accompany me on my first assignment in the GA
314 September 10,1999 Milton Grant, Chief of the Photo Unit, welcomes me to the department and takes me on an informal tour of the UN.
312 August 31, 1999 The Boy Who Fooled New York.
311 August 20, 1999 I Went Scuba Diving
310 August 16, 1999 The Junkie Priest
306 July 21, 1999 The relentless quest for (Kennedy) imagery
296 July 7, 1999 Hot Hot Hot
294 July 3, 1999 The Sleepovers
288 May 31, 1999 Bad Judgment / Good Judgment: The Picture That Never Was
285 May 27, 1999 Shut Out
281 May 17, 1999

I received a letter recently that reminded me that I'd been taking some things for granted lately.

278 May 7, 1999 A Mass for Littleton
250 March 15, 1999

It's been three months and I've finally developed the rest of my film.

245 March 11, 1999 The picture-taking took less than 10 minutes.
242 March 3, 1999 I don't want to get in a mudslinging contest about the future of photojournalism
235 February 24, 1999 Lately, I seem to be the queen of features and the environmental portrait.
219 February 9, 1999 Does Color Matter?
208 January 29, 1999 Let Me Take This Call
194 December 28, 1998 Last July on this website I wrote about an assignment I had had, to photograph a mother and her young son, both of whom were battling leukemia
193 December 27, 1998 Girls, curls and slipjigs
188 December 19, 1998 Around this time last year I wrote that one of my goals was to find out how photography fits into my life.
172 November 4, 1998 We've all had to do our share of one computer genius/computer programmer/computer innovator/computer geek photograph after another... and it begs the question: How many ways can you shoot a computer without taking out a double barreled shotgun?
165 October 28, 1998 Baseball legends
162 October 26, 1998 "Keep following the story, sounds like fun!"
149 September 17, 1998 Something about Harry
144 September 6, 1998 Photography enabled me to bring my own vision and interpretation to the canvas, at first fairly effortlessly, at least compared to what it had been like trying to eek out an image from a glob of burnt sienna to replicate a paper bag still-life.
136 August 21, 1998 A Day in the Life
134 August 17, 1998 What was startling was that one of the kids who used to play there not so long ago, now a young mother herself, was there with her 3 year old.
117 July 18, 1998 This story is not about a war on another continent. It's about a silent one being fought here...and in just about every corner of the world
113 July 15, 1998 I don't do wars...
112 July, 1998 Lighting 101
107 July 5, 1998 Hundreds of people would gather and watch as unscripted---and illegal---eye candy unfolded.
104 June 25, 1998 How many ways can you spell G-R-A-D-U-A-T-I-0-N ?
102 June 24, 1998 Simple Pleasures
99 June 22, 1998 Life Begins at 40
95 June 15, 1998 "I am woman, hear me roar..." ...Ok, so it's only a muffled "Yesssss!!!"
93 June 13, 1998 Pomp and Circumstance
88 June 9, 1998 Anything Goes...
86 June 3, 1998 Shooting for Stock
85 June 1, 1998 Baby, think it over...
79 May, 1998 Art.Rage.Us -- An Essay
64 April 19, 1998 Thursday I took the day off ... well, sort of.
60 April 14, 1998 Bernard L. Stein, Co-publisher of The Riverdale Press, wins Pulitzer prize.
57 April 10. 1998 A Homecoming of sorts
56 April 6, 1998 "I am not Julia Child"
54 April 5, 1998 The Photojournalism Roller coaster: Of Extremes and Insecurities
49 March 30, 1998 The dark side of humanity reared its head in one of our communities over the weekend.
48 March 29, 1998 A mitzvah is a good deed...
46 March 29, 1998 Today, it was over 80 degrees
45 March 28, 1998 "the (not really) begging phone call."
41 March 22, 1998 In Search of Art
36 March 12, 1998 And today's assignment is to photograph...real estate brokers.
26 February 23, 1998 I always breathe a sigh of relief when I edit my negatives after a basketball game.
19 February 18, 1998 Newsroom Decisions, Dilemmas and Cut Lines
15 February 10, 1998 These are the things about journalism that are truly joyful
4 January 23, 1998 One of the last photographs I took in 1997 was of firefighter John Usai. . .
2 January 14, 1998 My hope for 1998 is an ability to come to terms with what role photography plays in my life.
 
Contributor since 1998
 
   

 

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