Shut Out Click to see the photos from this assignment

We've all arrived at an assignment at one time or another, only to learn that the restrictions imposed on us might well prevent us from getting the picture we need. It's our job to creatively circumvent them and get an image anyway. A few weeks ago a chain link fence and two acres were the obstacles I faced in having to get the picture.

Hélène Grimaud is an internationally renowned classical pianist, whose passion extends to her three wolves, all of which were born in captivity, but which are nonetheless, wild.

She lives on 3 acres, 2 of which her wolves inhabit, surrounded by a 10 foot high double chain link fence enclosure, with barbed wire at the top. Hélène is very serious in educating the public about wolves, which have earned a bad reputation throughout history.

It was fascinating to hear about the behavioral traits of wolves, and eventually to observe the different personalities of Apache, a beautiful white Arctic British Columbian mix, Lucas, a silver gray British Columbian, and Maya, the shyest and most cautiously observant of the three. Hélène explained to writer Lynne Ames and me about what we might expect to see when we went into the enclosure and I was excited to think that I'd have a once in a lifetime encounter up close and personal with these beautiful creatures.

Helene Grimaud plays with her three wolves, Apache, Lucas and Maya, which she keeps on her 3 acre property in Westchester County, in a 2 acre enclosure.©Susan B. Markisz for The New York Times

Click to see the photos from this assignment

However, I was chagrined to learn that only Lynne would be allowed inside. I would have to remain outside the inner enclosure and shoot through the chain link fence. The problem was my equipment No one allowed inside with the wolves may hold or wear anything dangling that might attract their attention, including long hair, which must be tied back.. I was told that if any of the wolves showed any interest in any of my cameras, and it was a good bet they would, that I would have to relinquish it. There would be no negotiating with the wolves, who are friendly, but territorial, and who might consider it a challenge if I were to insist on keeping my equipment. However much I tried to persuade Hélène otherwise, she firmly insisted that I could not come inside with my equipment

.

Hélène and Lynne both dressed in protective clothing resembling spacesuits. When Hélène entered the enclosure, one by one they greeted her and she spent some time playing with them. Moments later, she allowed Lynne inside. During a momentary breach of security, one of the wolves came between me and the outer enclosure, greeting me gently, putting his enormous frame up on my shoulders to greet me eye to eye. It was either "say hello darling" or possibly say goodbye to a camera if I made a sudden move to take a picture. Not being much of an animal person, it was enough that I remained calm during this unexpected encounter.


Moments after writer Lynne Ames was allowed into the enclosure, one of the wolves greeted her, taking with him, Lynne's pony tail holder. ©Susan B. Markisz for The New York Times

Click to see the photos from this assignment

Shooting through the chain link fence was difficult; for most of the photographs I used an 80-200 f2.8 lens and in some cases a 105 micro nikkor lens; I was somewhat envious that I wasn't allowed a closer look. But the first thing that Apache did when Lynne went inside, was to take from her hair and walk off with, the ponytail holder that I had loaned her, to tie her hair back.

When I saw that, I was frankly relieved that I wouldn't have to part with my cameras, ...or to deal with an overzealous wolf.

Click to see the photos from this assignment

Susan Markisz
< smarkisz@digitalstoryteller.com >
Contributing Photographer
The Riverdale Press, NY
Freelance for the New York Times
Other journals by Susan Markisz
334 November 10, 1999 I have a New Boss
328 Is Photojournalism Dead? Susan Markisz I am not a photojournalist here (at the U.N.)
322 September 20, 1999 The heavy artillery has arrived
321 September 21, 1999

My adrenaline was already running high when I was given today's schedule.

 

318 September 14, 1999 7:45 AM: I note as I arrive at St. Bartholomew's Church on East 51st Street for the Interfaith Prayer Service
317 September 13, 1999 Milton hands me two Nikon F4's and an assortment of lenses and assigns staff photographer Evan Schneider to accompany me on my first assignment in the GA
314 September 10,1999 Milton Grant, Chief of the Photo Unit, welcomes me to the department and takes me on an informal tour of the UN.
312 August 31, 1999 The Boy Who Fooled New York.
311 August 20, 1999 I Went Scuba Diving
310 August 16, 1999 The Junkie Priest
306 July 21, 1999 The relentless quest for (Kennedy) imagery
296 July 7, 1999 Hot Hot Hot
294 July 3, 1999 The Sleepovers
288 May 31, 1999 Bad Judgment / Good Judgment: The Picture That Never Was
285 May 27, 1999 Shut Out
281 May 17, 1999

I received a letter recently that reminded me that I'd been taking some things for granted lately.

278 May 7, 1999 A Mass for Littleton
250 March 15, 1999

It's been three months and I've finally developed the rest of my film.

245 March 11, 1999 The picture-taking took less than 10 minutes.
242 March 3, 1999 I don't want to get in a mudslinging contest about the future of photojournalism
235 February 24, 1999 Lately, I seem to be the queen of features and the environmental portrait.
219 February 9, 1999 Does Color Matter?
208 January 29, 1999 Let Me Take This Call
194 December 28, 1998 Last July on this website I wrote about an assignment I had had, to photograph a mother and her young son, both of whom were battling leukemia
193 December 27, 1998 Girls, curls and slipjigs
188 December 19, 1998 Around this time last year I wrote that one of my goals was to find out how photography fits into my life.
172 November 4, 1998 We've all had to do our share of one computer genius/computer programmer/computer innovator/computer geek photograph after another... and it begs the question: How many ways can you shoot a computer without taking out a double barreled shotgun?
165 October 28, 1998 Baseball legends
162 October 26, 1998 "Keep following the story, sounds like fun!"
149 September 17, 1998 Something about Harry
144 September 6, 1998 Photography enabled me to bring my own vision and interpretation to the canvas, at first fairly effortlessly, at least compared to what it had been like trying to eek out an image from a glob of burnt sienna to replicate a paper bag still-life.
136 August 21, 1998 A Day in the Life
134 August 17, 1998 What was startling was that one of the kids who used to play there not so long ago, now a young mother herself, was there with her 3 year old.
117 July 18, 1998 This story is not about a war on another continent. It's about a silent one being fought here...and in just about every corner of the world
113 July 15, 1998 I don't do wars...
112 July, 1998 Lighting 101
107 July 5, 1998 Hundreds of people would gather and watch as unscripted---and illegal---eye candy unfolded.
104 June 25, 1998 How many ways can you spell G-R-A-D-U-A-T-I-0-N ?
102 June 24, 1998 Simple Pleasures
99 June 22, 1998 Life Begins at 40
95 June 15, 1998 "I am woman, hear me roar..." ...Ok, so it's only a muffled "Yesssss!!!"
93 June 13, 1998 Pomp and Circumstance
88 June 9, 1998 Anything Goes...
86 June 3, 1998 Shooting for Stock
85 June 1, 1998 Baby, think it over...
79 May, 1998 Art.Rage.Us -- An Essay
64 April 19, 1998 Thursday I took the day off ... well, sort of.
60 April 14, 1998 Bernard L. Stein, Co-publisher of The Riverdale Press, wins Pulitzer prize.
57 April 10. 1998 A Homecoming of sorts
56 April 6, 1998 "I am not Julia Child"
54 April 5, 1998 The Photojournalism Roller coaster: Of Extremes and Insecurities
49 March 30, 1998 The dark side of humanity reared its head in one of our communities over the weekend.
48 March 29, 1998 A mitzvah is a good deed...
46 March 29, 1998 Today, it was over 80 degrees
45 March 28, 1998 "the (not really) begging phone call."
41 March 22, 1998 In Search of Art
36 March 12, 1998 And today's assignment is to photograph...real estate brokers.
26 February 23, 1998 I always breathe a sigh of relief when I edit my negatives after a basketball game.
19 February 18, 1998 Newsroom Decisions, Dilemmas and Cut Lines
15 February 10, 1998 These are the things about journalism that are truly joyful
4 January 23, 1998 One of the last photographs I took in 1997 was of firefighter John Usai. . .
2 January 14, 1998 My hope for 1998 is an ability to come to terms with what role photography plays in my life.
 
Contributor since 1998
 
   

 

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