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Assigned on Monday night to photograph a Mass vigil for the Littleton, Colorado victims, I headed off to one of our local parishes to get pictures for a memorial service held for the Columbine students. When I arrived at the Church, Mass had started; typical Mass, homily devoted to concern for victims and victims' families out in Colorado, as well as the perpetrators of the violence. My assignment was to get pictures of the Youth Group which had organized the Mass.

But they were not in any way discernible from my vantage point. Observing as I was, from the side of the Church, I could see that a few of the students were prayerful, though I didn't know if these were the students I needed to photograph. For most of the students, the mere fact of my presence irrevocably altered the situation for me in terms of pictures. Some of the kids were a little giddy and much as I tried to ignore them or move away, there was really nowhere else for me to shoot in the small church. Shooting with a long lens was my best shot, and I tried to concentrate on the kids who were deep in thought/prayer, or who at least were pretending not to see me. As a Catholic, I remember well being at Mass sometimes with classmates, and once someone would start to laugh or giggle, it would become contagious and difficult to keep a straight face unless a priest or nun came up and reprimanded us.

I was getting frustrated by the situation and tried my best to not pay attention to those kids caught up in teenage antics.

As the Mass progressed, the students from the 7th grade Confirmation class picked up votive candles and brought them to the altar, doing almost a runwalk, in no way conducive to getting any kind of picture. The combination of the dim lighting and actual events did not allow for any meaningful photographs and my frustration was mounting at the lack of success in terms of a picture, not to mention annoyance at the kids themselves for, well, acting like kids. I was hoping for at least one teen to behave like I thought the circumstances warranted, but perhaps I expected too much.

At the end of Mass, I told Father Murphy that it was a very nice service, but that I did not have a picture that told the story. He suggested a group shot but I boo -hooed that as being something I "would never do." But to my surprise, the next words I uttered were to ask the kids to gather around the alter with their candles, and do what they thought was appropriate. The kids then began saying some "Our Fathers" and "Hail Mary's." The prayers became more meaningful as I held back shooting. The kids finally became less aware of me, and continued to pray for several minues while I started shooting with a wide angle lens. The truth of the matter is, I became acutely aware that this was as set up a shot as any I'd ever heard of, the equivalent of a grip and grin, or a grip and grimace, with me doing the grimacing.

A little girl then came up to the altar and looked as if she might kneel down, but when she saw me, started walking away. I told her it was ok to come up on the altar and she knelt and said a prayer, but my conscience told me this, too, was way way out of my own realm of believability. I wanted to go back to the editors and say: "I came up empty," but instead, I scanned three pictures, and readily admitted they were set up.

One editor's comment was: "Hey Susan, you're making a very good argument not to run any of these photos." I said: "Hey, this is what happened. There simply wasn't a picture before this. I've never ever orchestrated a shot before, but there was no picture before this." The editor was worried that people who had been at the Mass would see the picture and know that this didn't really happen. I had to agree with her but I said: "This is what happened; there was nothing visual that told the story before the end of Mass, there was no crying, no tears, no embracing, no real prayerfulness and this is what I did. It's up to you to decide with caption information, perhaps, to run or not to run the photograph."

The kids were not being intentionally disrespectful; but my presence somehow dominated what was happening. Like it or not, I didn't get a meaningful picture, aside from what was happening on the altar with the priest and altar servers.

Today, the paper ran the group photograph of the kids in prayer with an indication that a Mass had been held in memory of the Columbine students who were killed. As an image maker, my frustration led me to a place I've not been before in an event/news type situation. That I was forthcoming to the editors and publisher eased my conscience only a little.

click to see full size image Students from St. Gabriel's Church Youth Group organized a Mass during which they lit candles and said prayers in memory of Columbine High School students killed in Colorado. Photographs © 1999 Susan B. Markisz/The Riverdale Press
Seven year old Katie Shkreli knelt near vigil candles which were placed on the altar of St. Gabriel's Church in memory of the victims of the Columbine High School shooting, on Monday evening after a Vigil Mass. Photographs © 1999 Susan B. Markisz/The Riverdale Press click to see full size image

 

Susan Markisz
< smarkisz@digitalstoryteller.com >
Contributing Photographer
The Riverdale Press, NY
Freelance for the New York Times
Other journals by Susan Markisz
334 November 10, 1999 I have a New Boss
328 Is Photojournalism Dead? Susan Markisz I am not a photojournalist here (at the U.N.)
322 September 20, 1999 The heavy artillery has arrived
321 September 21, 1999

My adrenaline was already running high when I was given today's schedule.

 

318 September 14, 1999 7:45 AM: I note as I arrive at St. Bartholomew's Church on East 51st Street for the Interfaith Prayer Service
317 September 13, 1999 Milton hands me two Nikon F4's and an assortment of lenses and assigns staff photographer Evan Schneider to accompany me on my first assignment in the GA
314 September 10,1999 Milton Grant, Chief of the Photo Unit, welcomes me to the department and takes me on an informal tour of the UN.
312 August 31, 1999 The Boy Who Fooled New York.
311 August 20, 1999 I Went Scuba Diving
310 August 16, 1999 The Junkie Priest
306 July 21, 1999 The relentless quest for (Kennedy) imagery
296 July 7, 1999 Hot Hot Hot
294 July 3, 1999 The Sleepovers
288 May 31, 1999 Bad Judgment / Good Judgment: The Picture That Never Was
285 May 27, 1999 Shut Out
281 May 17, 1999

I received a letter recently that reminded me that I'd been taking some things for granted lately.

278 May 7, 1999 A Mass for Littleton
250 March 15, 1999

It's been three months and I've finally developed the rest of my film.

245 March 11, 1999 The picture-taking took less than 10 minutes.
242 March 3, 1999 I don't want to get in a mudslinging contest about the future of photojournalism
235 February 24, 1999 Lately, I seem to be the queen of features and the environmental portrait.
219 February 9, 1999 Does Color Matter?
208 January 29, 1999 Let Me Take This Call
194 December 28, 1998 Last July on this website I wrote about an assignment I had had, to photograph a mother and her young son, both of whom were battling leukemia
193 December 27, 1998 Girls, curls and slipjigs
188 December 19, 1998 Around this time last year I wrote that one of my goals was to find out how photography fits into my life.
172 November 4, 1998 We've all had to do our share of one computer genius/computer programmer/computer innovator/computer geek photograph after another... and it begs the question: How many ways can you shoot a computer without taking out a double barreled shotgun?
165 October 28, 1998 Baseball legends
162 October 26, 1998 "Keep following the story, sounds like fun!"
149 September 17, 1998 Something about Harry
144 September 6, 1998 Photography enabled me to bring my own vision and interpretation to the canvas, at first fairly effortlessly, at least compared to what it had been like trying to eek out an image from a glob of burnt sienna to replicate a paper bag still-life.
136 August 21, 1998 A Day in the Life
134 August 17, 1998 What was startling was that one of the kids who used to play there not so long ago, now a young mother herself, was there with her 3 year old.
117 July 18, 1998 This story is not about a war on another continent. It's about a silent one being fought here...and in just about every corner of the world
113 July 15, 1998 I don't do wars...
112 July, 1998 Lighting 101
107 July 5, 1998 Hundreds of people would gather and watch as unscripted---and illegal---eye candy unfolded.
104 June 25, 1998 How many ways can you spell G-R-A-D-U-A-T-I-0-N ?
102 June 24, 1998 Simple Pleasures
99 June 22, 1998 Life Begins at 40
95 June 15, 1998 "I am woman, hear me roar..." ...Ok, so it's only a muffled "Yesssss!!!"
93 June 13, 1998 Pomp and Circumstance
88 June 9, 1998 Anything Goes...
86 June 3, 1998 Shooting for Stock
85 June 1, 1998 Baby, think it over...
79 May, 1998 Art.Rage.Us -- An Essay
64 April 19, 1998 Thursday I took the day off ... well, sort of.
60 April 14, 1998 Bernard L. Stein, Co-publisher of The Riverdale Press, wins Pulitzer prize.
57 April 10. 1998 A Homecoming of sorts
56 April 6, 1998 "I am not Julia Child"
54 April 5, 1998 The Photojournalism Roller coaster: Of Extremes and Insecurities
49 March 30, 1998 The dark side of humanity reared its head in one of our communities over the weekend.
48 March 29, 1998 A mitzvah is a good deed...
46 March 29, 1998 Today, it was over 80 degrees
45 March 28, 1998 "the (not really) begging phone call."
41 March 22, 1998 In Search of Art
36 March 12, 1998 And today's assignment is to photograph...real estate brokers.
26 February 23, 1998 I always breathe a sigh of relief when I edit my negatives after a basketball game.
19 February 18, 1998 Newsroom Decisions, Dilemmas and Cut Lines
15 February 10, 1998 These are the things about journalism that are truly joyful
4 January 23, 1998 One of the last photographs I took in 1997 was of firefighter John Usai. . .
2 January 14, 1998 My hope for 1998 is an ability to come to terms with what role photography plays in my life.
 
Contributor since 1998
 
   

 

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