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It's been three months and I've finally developed the rest of my film. Unlike the immediacy of an approaching deadline in photojournalism, personal pictures sometimes take on a different significance as time manages to give us better insight, heal wounds, or give us a different perspective of what was happening at the time we pressed the shutter.

I admit that my motives weren't entirely altruistic when I accepted my dad's invitation to accompany him to Europe last November.

It had been five years since my last trip to see cousins in Germany and it had been nearly sixteen, since I had seen friends from Italy. Both countries were to be stops on our itinerary.

A year after my mother died in July of 1996, my father suggested we go to Europe together. My bags were packed in a heartbeat. But he cancelled at the last minute because of a business committment. And so, in early November 1998 my dad and I set out to retrace old steps and forge new paths together. It was a journey that took many detours, both geographic and emotional.

Except for my father's deployment in the Navy to Australia during World War II, as a pharmacist's assistant, I was the first of my family to venture beyond US borders, pursuing Foreign Language and Linguistics studies in Spain, where I spent my senior year finishing up my undergraduate degree in the early seventies. During my vacations while living and working in Spain, after receiving my degree, I travelled throughout Europe, renewing old friendships and making many new ones, some of which have endured a lifetime. Many of us have kept in touch with periodic visits, but mainly through letters, and more recently, Email.

In 1974, I met my German relatives for the first time. The last picture they had seen of me was my kindergarten picture. The last pictures I had seen of my German family were from the late forties and early fifties.


Dad, Deidesheim, Germany (c) 1998 Susan B. Markisz


Dad, Florence, Italy (c) 1998 Susan B. Markis
z

But they recognized me instantly when I appeared on their doorstep unannounced one evening, throwing arms around me, holding me to buxom chests, with tears streaming down their faces, saying: "Ah, die Susanne, Susanne, willkommen."

I was 21 at the time. There was instantaneous recognition that transcended a 15 year time warp. My maternal grandmother had emigrated from Germany in 1906 on steerage at the age of 16, one of only three of her 10 brothers and sisters who came to the United States. Before her death in 1959, she had left behind a rich verbal history of names of aunts, uncles and cousins and tiny villages. Her care packages and family updates had kept her connected with her family there. I dreamed of seeing those places one day and connecting the dots. Part of my subconscious motivation for studying foreign languages and linguistics, I suppose, was to find out more about my German ancestry.
The Alpine village of Going, empty, except for my dad, myself, and memories of my mom. (c) 1998 Susan B. Markisz
We reconnected on a level of intensity that has imbued my life with a richness of heritage and friendship that was kept alive through my grandmother's stories, handed down to my mother and told to me over and over again until I knew the names and places by heart.
My dad and enjoyed the company of friends of mine, Rudi and Tina Pekar, in Wals, near Salzburg. (c) 1998 Susan B. Markisz
Six months after my first visit, I took my mother for the first time, to introduce her to her mother's family and birthplace, a little town called Gollheim, in Germany. My parents did not return to Europe for several years afterwards. But once they did, they returned every year, sometimes twice, always visiting my mother's family, and finding happiness in their own discovery of the small towns and villages of Europe.
My Tante Johanna and Tante Emma welcomed me with open arms when I appeared on their doorstep one evening in January 1974.
And so, on this most recent trip, while my dad was happy enough to be stopping off in the European cities of my past to say hello to old friends and drink Pilsner, Prosecco and Grappa, we meandered down Alpine roads with long circuitous tunnels and searched for towns through which he and my mother had passed.

"Your mother and I stayed in an inn somewhere around here...why not drive into this little town---ah, no, it's not here," he would say..."maybe a little father on."

My dad occasionally asked me what I saw in scenes such as this one. windowlight, color, reflections...and that, after all, is about all. (c) 1998 Susan B. Markisz
As we drove through a ten kilometer tunnel in the Alps, with no end in sight, I nearly went into panic, as much from claustrophobia as from the sudden clarity that my dad and I were on two separate journies.

He, clutching a map, saying "turn here, ah yes, here..." with a palpable sigh of relief that he had finally found a place that he and my mom had been, a point on a map, thumbtacked to an invisible wall, a wellspring of memories surfacing for him, and the realization for both of us, that his wife of 45 years, and my mother, was not there.

Mom, my Grandmother Elisabeth Spohr & me 1953 Washington, DC

It was a painful time. The image etched in my mind, as if on ground glass, is of my father sitting in the car at once impatient with me for missing a turn, because the adolescent in me was doing 100 mph in our rented beemer---my dad clutching the edges of a map of Europe, his finger pointing to a town called Going, as if God was "going" to somehow miraculously beam down my mother for a few seconds.


It was a joyful time. Together we talked about my mom, and how she loved these towns. My dad said they never had reservations or a a set itinerary, preferring instead to take local roads and their chances on finding a small family run inn. They became acquainted with many little towns and some inkeepers knew them well. I knew how much my connecting the dots" had meant to my mom, but it was she and my dad who ultimately made Europe a second home of sorts.

Gollheim, Germany, my grandmother's birthplace, hasn't changed much since the date of this postcard, sent to her by one of her sisters in 1911, shortly after her emigration to the US. The arch was built in 1784 and only one car can pass through at a time.

I had learned most of my family's history from my mom. After school nearly every day, we would sit and chat up a storm, and I would consume volumes of Reese's
peanut butter cups as my mother listened to my tales of teenage crushes and unrequieted love. Somehow she must have gotten a word in edgewise, because I remember much of what she's told me. Until this trip, I'd never really heard much about my dad's family, about which he said little, nor had I ever heard my dad's version of how he and my mom had met.

"I remember how your mother looked the night we met," he said. "She walked into the Lotus Club with some of her friends; she had her hair up in a bun, and she wore high heels and was...tall and...stunning." The Lotus Club was a place in Washington DC, where couples or singles could come and enjoy the sounds of the big bands. "She was an excellent dancer, so tall, beautiful and graceful," he said, wiping away a tear. In fact, one of the most wonderful things, to me, their daughter, was to watch them dance at a wedding. They glowed when they danced. Like the Red Sea, the crowd would often part, simply to watch their graceful movements on the dancefloor.

I learned how my dad, a native Virginian, who had gone to college on the GI Bill and
graduated from George Washington University, narrowly missed getting his Master's
Degree in Economics "because of your mother" he said one night. When pressed for details, he said he had been working during the day and going to classes at night. "I was simply in love with her and I wanted to spend time with her so I started cutting some classes." Nearly finished with his thesis, the only thing that was lacking was his defense. "It just wasn't important anymore," he said. (I wondered how well this kind of reasoning might have sat with him when I was in college, but I laughed about it to myself instead of interrupting the poignancy of that moment).

My dad became a very successful businessman, in spite it, and his knowledge of the United States and United States history has always impressed me, notwithstanding his impression that the South emerged somehow victorious in the Civil War.

I'm not sure just what my dad learned about me except that he wasn't always happy about my continual search for imagery on our trip. "What did you see in that little scene?" he would ask. Eventually we agreed to go our separate ways in various cities and meet up later in a cafe.

Just before I headed off to see friends in Rimini, I left my dad in the town of Ancona in Italy, for his flight back home to the States. I told him I loved him and thanked him for the opportunity to spend time with him and to reconnect with old friends. I said that somehow, I didn't think I was the companion he'd wanted me to be.

"No sweetie, it wasn't that...I had a good time," he said..."it was just, well, all the
pictures..."

In hindsight, surely it was the pictures, the pictures I couldn't take, pictures that for him happened long ago. No matter how good a photographer, no matter how good a daughter, I simply couldn't recreate images that for him, exist only in memory.


Dad, Mom and me 1953 Washington, DC

Mom and Dad 's 40th Anniversary (c) Susan B. Markisz




Susan Markisz
< smarkisz@digitalstoryteller.com >
Contributing Photographer
The Riverdale Press, NY
Freelance for the New York Times
Other journals by Susan Markisz
334 November 10, 1999 I have a New Boss
328 Is Photojournalism Dead? Susan Markisz I am not a photojournalist here (at the U.N.)
322 September 20, 1999 The heavy artillery has arrived
321 September 21, 1999

My adrenaline was already running high when I was given today's schedule.

 

318 September 14, 1999 7:45 AM: I note as I arrive at St. Bartholomew's Church on East 51st Street for the Interfaith Prayer Service
317 September 13, 1999 Milton hands me two Nikon F4's and an assortment of lenses and assigns staff photographer Evan Schneider to accompany me on my first assignment in the GA
314 September 10,1999 Milton Grant, Chief of the Photo Unit, welcomes me to the department and takes me on an informal tour of the UN.
312 August 31, 1999 The Boy Who Fooled New York.
311 August 20, 1999 I Went Scuba Diving
310 August 16, 1999 The Junkie Priest
306 July 21, 1999 The relentless quest for (Kennedy) imagery
296 July 7, 1999 Hot Hot Hot
294 July 3, 1999 The Sleepovers
288 May 31, 1999 Bad Judgment / Good Judgment: The Picture That Never Was
285 May 27, 1999 Shut Out
281 May 17, 1999

I received a letter recently that reminded me that I'd been taking some things for granted lately.

278 May 7, 1999 A Mass for Littleton
250 March 15, 1999

It's been three months and I've finally developed the rest of my film.

245 March 11, 1999 The picture-taking took less than 10 minutes.
242 March 3, 1999 I don't want to get in a mudslinging contest about the future of photojournalism
235 February 24, 1999 Lately, I seem to be the queen of features and the environmental portrait.
219 February 9, 1999 Does Color Matter?
208 January 29, 1999 Let Me Take This Call
194 December 28, 1998 Last July on this website I wrote about an assignment I had had, to photograph a mother and her young son, both of whom were battling leukemia
193 December 27, 1998 Girls, curls and slipjigs
188 December 19, 1998 Around this time last year I wrote that one of my goals was to find out how photography fits into my life.
172 November 4, 1998 We've all had to do our share of one computer genius/computer programmer/computer innovator/computer geek photograph after another... and it begs the question: How many ways can you shoot a computer without taking out a double barreled shotgun?
165 October 28, 1998 Baseball legends
162 October 26, 1998 "Keep following the story, sounds like fun!"
149 September 17, 1998 Something about Harry
144 September 6, 1998 Photography enabled me to bring my own vision and interpretation to the canvas, at first fairly effortlessly, at least compared to what it had been like trying to eek out an image from a glob of burnt sienna to replicate a paper bag still-life.
136 August 21, 1998 A Day in the Life
134 August 17, 1998 What was startling was that one of the kids who used to play there not so long ago, now a young mother herself, was there with her 3 year old.
117 July 18, 1998 This story is not about a war on another continent. It's about a silent one being fought here...and in just about every corner of the world
113 July 15, 1998 I don't do wars...
112 July, 1998 Lighting 101
107 July 5, 1998 Hundreds of people would gather and watch as unscripted---and illegal---eye candy unfolded.
104 June 25, 1998 How many ways can you spell G-R-A-D-U-A-T-I-0-N ?
102 June 24, 1998 Simple Pleasures
99 June 22, 1998 Life Begins at 40
95 June 15, 1998 "I am woman, hear me roar..." ...Ok, so it's only a muffled "Yesssss!!!"
93 June 13, 1998 Pomp and Circumstance
88 June 9, 1998 Anything Goes...
86 June 3, 1998 Shooting for Stock
85 June 1, 1998 Baby, think it over...
79 May, 1998 Art.Rage.Us -- An Essay
64 April 19, 1998 Thursday I took the day off ... well, sort of.
60 April 14, 1998 Bernard L. Stein, Co-publisher of The Riverdale Press, wins Pulitzer prize.
57 April 10. 1998 A Homecoming of sorts
56 April 6, 1998 "I am not Julia Child"
54 April 5, 1998 The Photojournalism Roller coaster: Of Extremes and Insecurities
49 March 30, 1998 The dark side of humanity reared its head in one of our communities over the weekend.
48 March 29, 1998 A mitzvah is a good deed...
46 March 29, 1998 Today, it was over 80 degrees
45 March 28, 1998 "the (not really) begging phone call."
41 March 22, 1998 In Search of Art
36 March 12, 1998 And today's assignment is to photograph...real estate brokers.
26 February 23, 1998 I always breathe a sigh of relief when I edit my negatives after a basketball game.
19 February 18, 1998 Newsroom Decisions, Dilemmas and Cut Lines
15 February 10, 1998 These are the things about journalism that are truly joyful
4 January 23, 1998 One of the last photographs I took in 1997 was of firefighter John Usai. . .
2 January 14, 1998 My hope for 1998 is an ability to come to terms with what role photography plays in my life.
 
Contributor since 1998
 
   

 

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