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"PHOTOJOURNALISM IS DEAD"
Why the hell would I want to work toward a future that doesn't exist? Why be a student of photojournalism, if in fact its deceased? Part of that answer is why I choose to NOT major in photojournalism. Yet everyday photojournalism is in my life, in many different ways, and I still have a passion for those special images that tell a story. Young and idealistic, yes. But I'm hopeful that Dick Kraus, who I have a deep respect for, is as wrong as The Titanic's engineers. In my own very limited experience as a photo editor in a daily student newspaper, I know that there somethings we just have to grin and bear. Some big stories, like that of the campus radio station going off the air, are huge and we need photographs on the front page. So we get creative and do our best. Ideally, we would not cover that story photographically, because it isn't very visual. But we persevere. As an editor, I've found a way to give the photojournalists a voice, albeit a limited one. Everyday, a photojournalist turns in their own story. Its illustrated usually by one photograph, possibly two, and about five column inches of text that the photojournalist writes and I edit. They can do whatever they want for that assignment. Its completely up to them. Nearly everyday we run at least one in the paper, something the photo desk can rightfully call ours. Totally self-generated. Things will never be how they were, whatever that may be, for better or for worse. The best we can hope for is improving the situation in the present, and then for the future. That probably involves some compromise on our side, and the word-herder's too. I'm this for the long haul, I have to be optimistic. |
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Joseph
Jaszewski
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Contributor
since 1998
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Behind
the Viewfinder - A Year in the Life of Photojournalism |