How do you cover a demonstration when are the target of crowds displeasure?

The California Aggie, The University of California at Davis' daily student-run newspaper, ran a cartoon in Friday's edition that depicted a student inadvertently diverting a laser-guided missile from Kosovo to Hart Hall on campus, which houses the Ethnic and Gender Studies Program here at U.C.D. According to the author of the cartoon, it was meant to poke fun at the battery-operated, hand-held laser-pointing devices some students have as well as the school administration's lack of support for the Ethnic Studies Program.
 But some students and faculty members of the school along with sympathizers didn't see it that way. They used that cartoon as a springboard to voice their feelings about the Aggie staff, which they feel is not sensitive to minority issues, and about racism at the school in general.
 The demonstration was held on the steps of Memorial Union facing the main quad at noon on Tuesday. That location is by far the most traveled throughout the day by the University community. Roughly 200 students protested the Aggie and the University's handling of racial issues. The demonstrators ripped up copies of the newspaper and taped their mouth shut symbolizing their perception that they have no voice on campus.

I happened to be in the darkroom processing an assignment I had already shot that day when Florence, the photo editor, asked me to go with her and photograph the protest; she didn't have to ask twice. Both of us traveled light, coming upon the crowd with just a body and a wide-angle zoom lens. Naturally, they knew that we were with the Aggie, and I was the subject of some heckling and insults from the crowd. They also knew their story would end when the crowd dispersed without our presence. It was a double-edged sword: they were upset at the Aggie, but they also wanted us to publicize their cause.

 As a journalist, I tried to stay as objective as possible and cover it like it didn't involve me. It was very difficult to do so when they accused the Aggie, and therefore me, of condoning ethnic cleansing. That banner particularly upset me.
After the young women in the middle asked me to stop photographing her while she was ripping up copies of the Aggie and I continued, the young women on the right moved to block my lens.
I nearly lost my relative-cool in one instance. I was photographing protesters sitting on the ground, mouths taped, ripping up copies of the Aggie when one objected to my photographing of her and ordered me to stop. I said something along the lines of ³You are in a public area, I have a right to photograph you. Sorry.² She seemed satisfied with that argument, but another protester chastised me for not ³respecting her privacy,² and proceeded to put her hand in front of my lens. I decided enough was enough, asked her to please respect my right to photograph, and left the situation. The photograph was not worth the trouble it was becoming.
Perhpas the most ludicrious claim of them all: the Aggie condones 'ethnic cleansing.'

I hope that my coverage of the event wasn't biased, but I cannot really judge that myself. My photograph of the woman with the sign that says "Stop the Aggie"  ran on the back page with the story jump. The photo editor decided not to run the photograph of the young-women who didn't want to be photographed.


 

Joseph Jaszewski
< joeja@ucdavis.edu >
Student
Davis, California
Other journals by Joeseph Jaszewski
358 April 17, 2000 Thank goodness for film
353 February 25, 2000 McCain in California
345 February 17 , 2000 Wrestling with the WWF
335 November 20, 1999 Trust your instincts
331 Is Photojournalism Dead? Joe Jaszewski Why be a student of photojournalism, if in fact its deceased?
315 September 12, 1999 It was one of the businest days
313 September 6, 1999 T-Ball days
300 July 10, 1999 "We'll Make This One Work"
293 June 30, 1999 105 degrees. 5pm. American Legion baseball, Rio American High School
289 June 2, 1999 Exactly Two Months Ago
287 May 31, 1999 One of my favorite subjects to photograph
275 May 1, 1999 How do you cover a demonstration when you are the target of crowds displeasure?
268 April 22, 1999 While out on assignment, I usually have some clue of what I should do, and when I should do it.
256 March 25, 1999 Hoop Frames
249 March 15, 1999 Perhaps those who should be most concerned about the future of photojournalism are students
220 February 9, 1999 Airlines are a Curious Thing
203 January 18, 1999 Last week I was asked to join the staff of The Sacramento Bee’s group of 7 community weekly newspapers, Neighbors.
196 January 4, 1999 The next step
187 December 13, 1998 Shoot with just one body, a 35mm f/2 lens, and a roll of 800 film.
177 November 21, 1998 Sometimes, things just have a funny way of working out and fate joins your side for a bit.
164 October 27, 1998 It sure feels good when someone in a management capacity notices the work you do and goes out of their way to acknowledge the quality of that work and compliment you.
154 October 7, 1998 Getting my feet back on level ground
148 September September Tom Hubbard Thoughts on being a freshman Guest Journal Thoughts on being a freshman Photos added 9/29
137 August 24, 1998 When formal assignments are running thin and I just have that itch to shoot, I rely on my family to provide a subject: themselves.
130 August 6, 1998 The bar keeps getting raised
119 July 24, 1998 I had no guarantee of selling the photos I was about to take. I figured if I couldn’t get anyone to buy them, then I would just chalk it up to experience.
114 July 17, 1998 . The best high school photojournalism program in the world
110 July 8, 1998 Redemption
103 June 25, 1998 Let’s go and knock on other people’s doors and meet them
91 June 12, 1998 This was a milestone for me, considering I had never had an assignment from a commercial newspaper
71 May 8, 1998 Why I chose Photojournalism as a Career
 
Contributor since 1998
 
   


home |about this documentary | the journals | search this site | reviews

Behind the Viewfinder - A Year in the Life of Photojournalism
http://www.digitalstoryteller.com/YITL
This site is protected by United States Copyright Laws
Website Design Copyright 1998, 1999, 2000 F.R."Fritz" Nordengren Digital Storyteller