While out on assignment, I usually have some clue of what I should do, and when I should do it.

When I should look for the double-play, what I want in a parade picture, when I need to get a vertical or horizontal image, etc. But today I found myself in a frightening situation and I truly didn't know what to do.

The assignment was to photograph a semi-pro soccer game between two teams representing Mexico (called Canarios) and El Salvador for a stand-alone package on the cover of The Sacramento Bee Neighbor's south edition. I was advised that the tension would be thick in this emotionally charged game at a local park.

I arrived about fifteen minutes early, and witnessed the end of the game scheduled before the one I was to cover. As I looked around, I could tell this park was a popular Sunday afternoon location for families, nearly all of Hispanic descent, to watch exciting soccer. After the game was over, several fans from one side of the field approached the referee. One proceeded to take his shirt off, gesturing with his hands and speaking Spanish with a tone of anger and confrontation. I couldn't understand what he was saying, but I could tell it wasn't pleasant. Soon a crowd gathered, and as the referee was surrounded by impromptu bodyguards, the crowd's anger turned to the opposing team. They wanted nothing to do with this, and walked to their cars in the parking lot about ten steps in front of this group of about twenty shouting and jeering fans of the losing team. As the fans' stride hastened, it was clear the players would not make it to their cars before the group could reach them. Sure enough, a confrontation ensued.

I heard the first bottle break on the cement of the parking lot. Soon I saw glass bottles flying through the air along with fists. Children were running to cars for cover. Tires screeched as they exited the parking lot to safety. In one instance, two of the winning players jumped into the back of a moving pick-up that quickly sped off as they were chased by angry fans. I saw no attempt to stop this altercation, and there were no law-enforcement officers present.

Through all of this, I debated in my mind what I should do. Go in with my 80-200 and makes images of the action happening about 200 yards from where I stood? Or should I stay put in relative safety? Instinctual I picked up my camera and started toward the fight as my heard pounded, but I didn't get further than 10 feet from my bag. In the end, I decided not to wade into the mess. Had I approached this group, I would have been in the center of a fight with no protection whatsoever. I would have stuck out like a sore thumb with my camera and lens, 6'3" frame, and white skin


I only took 10 frames of action before the game was called off by law-enforcement officers.

Players on the El Salvador team relax in the shade while Police Officers and league director Isidero Hejman discuss the situation after a fight in the previous game. The El Salvador game against 'Canarios' was canceled due to an altercation in the parking lot after fans of the losing team persued the winning team as they attempted to exit the park.
Should I have heeded the call of my heart and not listened what my brain had to say? Was it my responsibility to cover this story that was unfolding in front of me? One could probably make a case that I should have gone and made pictures of the fight, and I wanted to at first. But the risks out weighed the benefits. This event being of questionable news value, was not worth my well-being. I may not be cut out to be a combat photographer, but I am confident I did the right thing by not getting involved. Secondly, what is the newspaper's responsibility in this situation? The game I was to cover was canceled ten minutes into it once police arrived. Should the newspaper run my pictures of the aftermath of the fight? Should they not mention the game or the fight at all? Or should they run a picture of the game before it was canceled explaining the circumstances?

 

Joseph Jaszewski
< joeja@ucdavis.edu >
Student
Davis, California
Other journals by Joeseph Jaszewski
358 April 17, 2000 Thank goodness for film
353 February 25, 2000 McCain in California
345 February 17 , 2000 Wrestling with the WWF
335 November 20, 1999 Trust your instincts
331 Is Photojournalism Dead? Joe Jaszewski Why be a student of photojournalism, if in fact its deceased?
315 September 12, 1999 It was one of the businest days
313 September 6, 1999 T-Ball days
300 July 10, 1999 "We'll Make This One Work"
293 June 30, 1999 105 degrees. 5pm. American Legion baseball, Rio American High School
289 June 2, 1999 Exactly Two Months Ago
287 May 31, 1999 One of my favorite subjects to photograph
275 May 1, 1999 How do you cover a demonstration when you are the target of crowds displeasure?
268 April 22, 1999 While out on assignment, I usually have some clue of what I should do, and when I should do it.
256 March 25, 1999 Hoop Frames
249 March 15, 1999 Perhaps those who should be most concerned about the future of photojournalism are students
220 February 9, 1999 Airlines are a Curious Thing
203 January 18, 1999 Last week I was asked to join the staff of The Sacramento Bee’s group of 7 community weekly newspapers, Neighbors.
196 January 4, 1999 The next step
187 December 13, 1998 Shoot with just one body, a 35mm f/2 lens, and a roll of 800 film.
177 November 21, 1998 Sometimes, things just have a funny way of working out and fate joins your side for a bit.
164 October 27, 1998 It sure feels good when someone in a management capacity notices the work you do and goes out of their way to acknowledge the quality of that work and compliment you.
154 October 7, 1998 Getting my feet back on level ground
148 September September Tom Hubbard Thoughts on being a freshman Guest Journal Thoughts on being a freshman Photos added 9/29
137 August 24, 1998 When formal assignments are running thin and I just have that itch to shoot, I rely on my family to provide a subject: themselves.
130 August 6, 1998 The bar keeps getting raised
119 July 24, 1998 I had no guarantee of selling the photos I was about to take. I figured if I couldn’t get anyone to buy them, then I would just chalk it up to experience.
114 July 17, 1998 . The best high school photojournalism program in the world
110 July 8, 1998 Redemption
103 June 25, 1998 Let’s go and knock on other people’s doors and meet them
91 June 12, 1998 This was a milestone for me, considering I had never had an assignment from a commercial newspaper
71 May 8, 1998 Why I chose Photojournalism as a Career
 
Contributor since 1998
 
   


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