The headline on Tuesday’s newspaper was direct. PREPARE YOURSELF was stripped across the front page in extra bold type. Hurricane Floyd was aiming at Florida and a disaster was just off the coast. Twenty four hours later, the headline read IT MISSED.

Before the storm turned, we prepared for Hurricane Floyd both personally and professionally. People bought plywood for their homes and we stockpiled film and batteries for the photographers. Floyd was stronger than Hurricane Andrew - the nightmare storm that still haunts residents of Florida - and its storm clouds spread so wide that it was bigger than the entire state. More than a million people evacuated the Atlantic coast line.

Hurricanes, unlike almost any other natural disaster, allow for some advance planning. I started rearranging my assignment schedule Monday after I had shot a fashion piece at a dance club at Disney’s Boardwalk. The storm would be close to our shore by early Wednesday morning and I postponed all of my assignments for the week.

Every photographer on staff ended up with an assignment. On Tuesday, I went up in a helicopter to photograph the last-minute exodus from the coast and the sight of empty highways elsewhere. Because of the seriousness of the storm, literally every business was closed and it was worth some time in the air to see the sight of an empty A1A in Cocoa Beach at mid-day.

The helicopter aerials are usually the best assignment in hurricane coverage. You can get quickly to the scene of any major damage and the photos are almost guaranteed for the front page. Plus, the flying is easy because the weather after a hurricane clears is pretty as can be. But flying as the storm approaches is not as much fun. The head winds flying out to the coast made for a bizarre, twisty-turny flight. The wind was strong enough that we could only make about 85 to 90 knots going out but hit 135 to 140 knots coming back with the tail wind.

Aerials, however, are only interesting when there is something to see. The photo of the day was made on the ground at the Magic Kingdom showing an empty Main Street USA with a pair of ducks walking down the rain soaked and abandoned street. It was the first time ever that the theme parks had closed. We only used two aerials on inside pages. In order to guarantee that we’d be able to fly, we were paying a full-day rental on the helicopter whether we used it or not so we figured we’d use at least some of the photos.

By 5:30 pm. Tuesday, I was driving home. At one time, the forecast was for 45 mph winds by that time but the storm had made a strong turn away from Florida so it was only breezy. The schools had been closed all day and by noon, every business closed. I have never seen downtown Orlando literally abandoned.

People at Orlando International Airport scan schedule boards Wednesday, September 15 as they wait to check in and head out.

 

I came home to a living room filled with junk we’re putting together for a garage sale. My oldest son and I had moved it the day before so I could actually park the cars in the garage (strange concept,. huh?) There wasn’t plywood, but I had used gaffer’s tapeon the windows as an insurance seal .

Thankfully, the night passed quietly. The hurricane passed so far off shore that Orlando barely had strong winds. I could leave at sunrise without worrying about the safety of my family.

I was sent to Orlando International Airport which had closed at 5 p.m. the night before. There were very few tourists there. Most had gone to hotels. You could look down the 200 yards or so of ticket counters on each air side and see no one.

The Sentinel published a special edition for late rack sales and the presses were set to run at 11 a.m. All of the photographers shot quickly and got back to office. In a rare moment of efficiency, I shot only seven exposures at the airport. We published three of them.

Later in the day, I went back to airport to photographer the first flights as the terminal reopened. A small photo ran on the front page the next day. Two photos I made of twins born during the storm were run on Local front.

I’ve covered several hurricanes in the past and I’d be lying if I didn’t say that it can be exciting. But when it is your own home the storm is targeting, it is less exciting and more stressful. We were lucky that we got very little rain and really no wind in Orlando from Hurricane Floyd. I am back to a regular schedule now and the tape is off the windows at home. The Weather Channel, however, is talking about a system in the Gulf of Mexico. They say it will soon be named Harvey.

 

Tom Burton
< twburton@aol.com >
Senior Staff Photographer
The Orlando (FL.) Sentinel
Other journals by Tom Burton
347 February 18, 2000 Love
341 January 6, 2000

Baby, Baby Baby

333 Is Photojournalism Dead? Tom Burton My comments today will reflect both my love for photojournalism and my respect for its basic tenets.
327 November 8, 1999 Roller Coaster
319 September 19, 1999 The headline on Tuesday’s newspaper was direct. PREPARE YOURSELF
301 July 15, 1999 Burton Rosevear
280 May 10, 1999 I am a certified platypus. It's time to confess.
262 April 16, 1999 "Thank Mr. Burton"
258 March 30, 1999

A "Typical" Day?

 

238 February 27, 1999 Time
227 February 14, 1999 And by the way; the subject - Zora Neal Hurston - has been dead for almost 40 years.
209 January 29, 1999 Ok, I’ll answer the most-asked questions first:
200 January 9, 1999 Could there be a photo-columnist?
186 December 12, 1998 The Nutcracker
167 October 29, 1998 The launch of Discovery and STS-95
166 October 28, 1998 Huber is one of a handful of photographers who has been setting remotes since the very first shuttle launch in 1981.
156 October 9, 1998 The waiting is the hardest part
147 September 15, 1998 When we edited the film, this last photo kept jumping up at us. It was far less planned than any cover we’ve done - in fact, it was probably the least calculated photo of the entire shoot - but it had that certain "ooomph" we wanted.
139 August 28, 1998 A firefighter returns
128 August 4, 1998 How to be a Model - or Just Look Like One!
124 July 30, 1998 I recently did something I’ve never done before. I went to a press conference without my cameras.
123 July 29, 1998 Some of the newest members of our staff were surprised at the persistence of the British press. They just won’t stop and they want everything. It is quite the clash in cultures when this kind of story goes global.
108 July 6, 1998 For more than a month, it hasn't rained much more than a spit in Central Florida
106 June 30, 1998 Yesterday I was part of the pack, looking for the celebrity of the moment and facing Armageddon.
105 June 27, 1998 At my newspaper, we run photography-based illustrations to illustrate stories that don't lend themselves to documentary styled photojournalism.
94 June 14, 1998 "I'm on vacation..."
81 May 29, 1998 When I decided to shoot a figure drawing class, I knew that I’d be up against some newspaper taboos.
75 May 22, 1998 An open letter to Joe Jaszewski
69 April 30, 1998 The Last Word
61 April 16, 1998 Femme Fatale
55 April 5, 1998 Finding "life" in photojournalism
38 March 15, 1998

Spring Fashion - The Printed Page

March 6 , 1998 Spring Fashion - a final editWhich photo do you think would make the best cover?

February 27, 1998 Spring Fashion - the fifth day As a photographer, I try to

anticipate anything that can go wrong. February 26, 1998 Spring Fashion - the fourth day The shoot went very well and there may be one or two more contenders for the cover

February 25, 1998Spring Fashion - the third day...the most debated, discussed and sometimes over-thought decision is which photo will be on the cover.

February 24, 1998Spring Fashion - the second dayBut during a fashion shoot like today, I shoot Polaroids proofs on everything

February 23, 1998Spring Fashion - the first dayThe phone rang at 6:30 a.m...The obvious question was, "what's going on?"

20 February 19, 1998 While photojournalists seek to document the reality of their world, fashion photographers conspire with beautiful models and clever stylists to create a fantasy.
10 February 1, 1998 Last night, I had a dream
8 January 28, 1998 I’ve found that my best work happens when I surprise myself
 
Contributor since 1998
 
   


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